Poetry is the most expressive of art forms (according to poets), and is therefore the best (according to...me). Many guides have been written analyzing the subject, teaching you gullible lunatics who think writing has nothing to do with talent if only we can compartmentalize it enough how to write, how to think so you can write, how to observe so you can think so you can write, and so on into eternity.
But as far as I can tell, there are only a few guides on how to write mediocre poetry. It is a new genre I am developing called crapoetry, and it truly is the only form of writing that I know of which does not require even a tiny modicum of talent. William McGonagall, contending some say for the position of worst poet the world has ever seen, was a master of the crapoem. His piece, The Tay Bridge Disaster, might be one of the most inexpressive, pointless and trite poems of all time. Having studied the great crapoets such as McGonagall, Edgar Guest, and Margaret Cavendish (whose nonsense plagues us in college English courses still), I would like to propose three principles of the Crapoem in the Classical Sense.
1. Try to sound like a professional by using words and sentence fragments out of their original order and by talking in a sort of Victorian turn of phrase. Like Yoda, with a twist of Wordsworth.
Ex. The beautiful woman was being hit on by a bald clown at the circus.
The clown, balding from age and years of mirthless tomfoolery, was making his advances on a maiden fair at his place of witless comedy.
2. P't ap'strophes wh're they' d'n't bel'ng.
An excerpt from McGonagall's Attempted Assassination of the Queen:
And when they know of her coming,
Their hearts feel overjoy'd,
Because, in general, she finds work
For men that's unemploy'd.
Their hearts feel overjoy'd,
Because, in general, she finds work
For men that's unemploy'd.
3. Try to generalize; you wouldn't want your poem to be so specific as to actually mean something. Or, if it does have to be specific, write your poem about something that shouldn't matter or doesn't matter for the majority of people. For example, Tyler Graham's poem, My Dog Eats Anything begins:
I was reading a book
Then along came my dogIt was eating a taco
That it got from the mailbox
I started reading the newspaper
Then went out to the car
Perfect. Good balance of specificity and meaninglessness.
Combining all three principles, here is my submission to the realm of crapoetry, entitled
That Thing I Experienced Which Was Beautiful
That thing I saw was th'n and th're
It seemed so stately, proud, and true
A thing of b'uty thro' and thro'
I came along a wide road and long
To hear a sound like t' a song
And in that song I heard it sung
That in that thing th' b'uty hung
And swiftly borne on wind and wings
A million other b'utiful things
So b'utiful and fair and free
They brought me tears and tears to me.
Please, hold the book deals. I'm just doing this as a distraction from working on college coursework while it's summer. If you feel inspired by my crapoetry, I encourage you to write your own. In spraypaint. On a building. Or just write it in the comments section at the bottom of this page.